Metra: A Climate Revolution with Songs

Metra Ep 4 - Sixty Days

MythMakers Media Season 1 Episode 4

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0:00 | 28:46

To launch their mission against the Bubbles, the team needs someone on the inside. Someone with access to the Bubble security systems. Luckily their new friend, Diane, has gear that their mark is desperate to get his hands on.

Things are about to get very real. Is our team ready?

Written by Emily and Ned Hartford
Music and Lyrics by Ned Hartford
Dialogue Directed by Emily Hartford
Produced by MythMakers Media

Featuring: Jeannette Bayardelle, Cherrye J. Davis, Corinna Schulenburg, Fred Inkley, Alia Munsch, Cristina Obando Sanchez, Sierra Rein, Galway McCullough, Ned Hartford, Kristen Vaughan, and Luke Wyngarden

Sound Editing and Design; Instrumentation Arranged and Performed; Vocals Arranged; and all Audio Produced, Engineered, and Mixed by Ned Hartford

Follow the show:
https://pod.link/1843713183
IG and Bluesky:  @metrathemusical
metrathemusical.com

Support Metra at ko-fi.com/metrathemusical

SPEAKER_10

Mythmaker's media presents audio story Jeanette by Adele as a glove for nose.

SPEAKER_11

J. Davis as Corey, Corinna Schulenberg as Sam.

SPEAKER_10

And Fred Inkly as Tyler. Featuring Aliyah Munch.

SPEAKER_11

Sierra Ryan.

SPEAKER_10

Christina Abando Sanchez as a wonderful tree nymph chorus. Yeah.

unknown

Change the mess. Change the world.

SPEAKER_11

Welcome. We three tree nymphs are here to present to you episode four of the scripted serial audio podcast of Mantra, a climate revolution with songs.

SPEAKER_00

Though in this episode, there aren't a lot of songs.

SPEAKER_11

But be patient, because next episode, whoa! So much music. But for now, me too. Tom.

SPEAKER_09

Alright, Mr. Multi, sir. We are approaching the destination. Okay. When we're stopped, you'll remain in your auto glide. Right. First, we'll get out of our vehicles. Make sure the area is safe and secure. Then and only then you'll exit your autoglide.

SPEAKER_10

Yeah, got it, soldier. Thank you. It's a boarded up old music store. How dangerous can it be? They're desperate to sell, and I'm desperate to buy. There they are.

SPEAKER_09

Good afternoon, ma'am.

SPEAKER_02

Good afternoon, soldier.

SPEAKER_10

Excuse us, we just looks like a nice lady. That must be her son. There's her daughter. Okay, all right. Nice looking family. Okay, soldiers. Okay. Let's come on, let's go. Let's go. Let's go. That's kind of ah, come on. It all looks okay to me. Come on. Let's go.

unknown

Mr.

SPEAKER_09

Mulpee. Mr. Mulpeak, we haven't fully checked the area.

SPEAKER_10

Thank you so much, soldiers. Great job. Now you can all just step aside, I'll take over, and you must be Diane.

SPEAKER_02

Mr. Mulfi.

SPEAKER_10

You can call me Tom. Now, let's get out of the sun, okay? And go see this gear. I've heard so much about.

SPEAKER_02

You're in luck, Mr. Mulfi. You're here during our one hour of electricity a day. You can hear how it all sounds. Good. You can get as loud as you want. Nice. And this is the guitar we told you about.

SPEAKER_10

A Gretsch Broadcaster Jr. That's a beautiful guitar. Look at that finish.

SPEAKER_02

As your blue.

SPEAKER_05

Whoa.

SPEAKER_02

I'll let Max tell you all about the pedal board he put together.

SPEAKER_05

What kind of rig do you have now, Mr. Mulpe? I I just got an old telly.

SPEAKER_10

I run into a computer using an AMSIM. Wow, look at this pedal board. You know, when I when I when I got wind of the gear you all had a All these pedals. Yeah man. Best of the 2000 tens and twenties. And the world started falling apart.

SPEAKER_05

Most of these pedals are programmable, so you can save your settings. And all controllable via MIDI using the MIDI controller. Nice. Modulation. Delay. Reverb. Yeah. All of it you can change instantly with the press of a single button. Nice. Wow. Yeah, you thought of everything here, Max. And uh MIDI controlled EQ and pitch shifting. Because playing solo will be using a looper, you need to be able to pitch shift the EQ quickly to provide sonic separation when layering tracks.

SPEAKER_10

Right, right.

SPEAKER_05

Wow. My mom said it was just you playing solo, right, Mr.

SPEAKER_10

Like I said, straight into my computer. There's not a lot of rock musicians in the crowd I run with.

SPEAKER_05

Yeah. I'm lucky I got my sister and my mom B jam.

SPEAKER_10

Yeah. Where are the uh I don't see the dirt pedals anywhere.

SPEAKER_05

Fuzz, overdrive, distortion. All underneath. What? There's a layer under Oh my god. Yes, sir. Lift it up right here.

SPEAKER_10

Oh my god! Amazing! And just look at this thing. You have laid out all these petals perfectly. You cut the cables to size. This is the it is neat as a pin. How did you do the w what is that? What is that singing? Where is that coming from?

SPEAKER_05

Just listen to the time distortion to those great box hands.

SPEAKER_02

I think we're good now.

SPEAKER_05

Okay. That's enough of me playing. Your turn, Mr. Mopy. Alrighty. Let me get a hold of that. Look at this baby.

SPEAKER_10

Wow.

SPEAKER_03

Beautiful neck.

SPEAKER_05

Oh, please.

SPEAKER_03

Wow.

SPEAKER_05

Did you Yeah. I I did the setup. Wow.

SPEAKER_10

Great setup. I mean, it's just it's just perfect play. And an amazing rig. Man, you know your stuff, kid. Thank you, Mr. Mulpe. Call me Tom. And and your name's Max, right?

SPEAKER_05

Yes, sir, Mr. Mulpe.

SPEAKER_10

You can call me Tom.

SPEAKER_05

Uh oh okay. Um Tom.

SPEAKER_10

Max, where did you learn to do all this?

SPEAKER_05

My father taught me.

SPEAKER_02

He died five years ago.

SPEAKER_10

Oh. I'm sorry to hear that. I'm sorry to hear that. Max, let me tell you. Dad was a good teacher, and you were a good student. And you know what? This rig is so special. It's so special it needs a name. Why don't you help me name it, Max? Tell me what I should call this rig.

SPEAKER_05

How about in honor of Mr. James Wyckoff?

SPEAKER_10

Is that your dad?

SPEAKER_02

Everybody called him Jimmy.

SPEAKER_05

I could have called him dad. Let's call it in honor of Max's dad, Jimmy.

SPEAKER_10

Max. That's a perfect name. I'm gonna get a little plaque made up. I'm gonna have it mounted right here on the front of the pedal board. And it's never coming off. Okay. Thank you.

SPEAKER_02

And as far as those two AC30s go, we have plenty of backup tubes for the amps. Nobody buys amps anymore.

SPEAKER_05

You've got tubes for decades.

SPEAKER_10

I'm not gonna need that many. But I'll pay for them anyway. How about that? And you can just keep the tubes. Uh, sell them again if if you can, if you get a customer, you know. So okay, I'm buying the guitar, the boards, the amps, everything. Man, I can't tell you how much joy just seeing this stuff is already giving me, much less me playing it. I sh you really did a beautiful job. And you know what? I'm gonna pay you all a fortune for this. That's right. I'm gonna set you up an account at the bubbles, and you can get whatever you want whenever you want, right? Wow. This is this is this is a gorgeous rig. And you said there was more vintage gear in the vault, right? Yes. Show me.

SPEAKER_05

Well, okay, miss Mr. Mopy. Call me Tom. Mr. Mopy, I hope you make the right choice.

SPEAKER_08

What do you mean? Tom Mopey.

SPEAKER_10

The name is Mopy. Who the fuck are you? Whoa! Whoa! What it what is that little green fucking thing? She's a tree nymph. Soldiers! Soldiers, get in here!

SPEAKER_08

Your security detail is currently being led on a slow walk back to the bubbles.

SPEAKER_06

Following the siren song of a tree nymph, much like this one. Into the faults, evil king!

SPEAKER_03

I am the only god that matters.

SPEAKER_08

And now you're getting a sense of what we're capable of.

SPEAKER_06

And where this goes, how deep this magic takes you, how much this hurts. It's up to you. Tremble in fear, humans.

SPEAKER_08

What what is it you want? Tom Mulpey? Bubble billionaire? Evil King. Will you shut down the bubble security systems? Systems we know you designed.

SPEAKER_10

Yeah. Yeah, why the fuck not? Well, hold hold it, hold it. Uh maybe. Maybe let's talk.

SPEAKER_07

Wow. Not wow! We can't trust him. We barely took him into the myth. We don't control him yet.

SPEAKER_08

Control me? How how would you control me? Explain this to me. By taking you to the end of the process, where you take a bite out of your own arm. What? And then, with just a single final high note. If you didn't then come aboard? Aglofonos takes you to the end of the myth.

SPEAKER_06

Turns you into a pair of clacking jaws. Could have. Should steal.

unknown

Whoa.

SPEAKER_10

Well, I would really like to dissuade you from doing that. So, um, your name is uh it was a aglofanos, right?

SPEAKER_07

Yes, evil king.

SPEAKER_10

Please feel free to call me Tom.

SPEAKER_07

No.

SPEAKER_06

Hmm. Okay.

SPEAKER_10

And uh your two names were um I'm Corey.

SPEAKER_06

And I'm Sam.

SPEAKER_10

Well, nice to meet you, Corey and Sam.

SPEAKER_06

Nice to meet you too, Tom.

SPEAKER_10

Nice to meet you. Well, now that we're on a first name basis, uh, Corey, Sam, why would you want to turn me into clacking jaws?

SPEAKER_06

The goal is to avoid that.

SPEAKER_10

Okay, that's good.

SPEAKER_08

I like that. The goal, through a judicious application of carrot and stick, is to convince you, the security forces, and all the bubble people that it's time to change.

SPEAKER_06

To share the water, food, and medicine that you all are hoarding.

SPEAKER_08

And stop drilling and burning.

SPEAKER_06

And save my trees.

SPEAKER_08

We're staging a revolution. Okay.

SPEAKER_06

A climate justice revolution overthrowing the bubbles.

SPEAKER_08

Wow.

SPEAKER_06

And the myth systems that have brought us here.

SPEAKER_10

The myth systems, too. Wow, okay. Yep. That was very, very uh ambitious goals there. Uh very admirable goals. Quick question. Am I dreaming all this? Understandable response. Well, that's not very reassuring. But yeah, hey, okay. Um, Aglofinos.

SPEAKER_04

Yes, Evil King.

SPEAKER_10

So, um, as I understand it, you are a tree nymph from Greek mythology.

SPEAKER_04

Yes, evil king.

SPEAKER_10

But despite being mythological, you really exist.

SPEAKER_07

Yes, evil king.

SPEAKER_10

Well, I'm either going fucking nuts or there's some kind of internal logic going on here that I'm not quite grasping yet. But either way, hey, what the heck? Let's just say this is really happening. Let's just say this is really happening.

SPEAKER_06

You're taking this all remarkably well.

SPEAKER_10

I've got my reasons, Sam. Now, you all must realize that soon security forces, lots of security forces, are going to be coming looking for me.

SPEAKER_08

And we've got 99 more of her. My sister nymphs.

SPEAKER_07

Singing tree nymphs who all have the same magic? Well, the Greek tree nymphs all have the same magic. The power to lure and repel with song. The power to recreate the myth of clack and jaws. But for my other sister nymphs, say from Eastern Europe, the Sub-Saharan Africa, South America, Pacific Rim, wherever. I have shared my magic from my Greek mythology with them. Something tree nymphs can do.

SPEAKER_08

We use the other tree nymphs to subdue the soldiers. Then all the myth-making teams run the process on them. Myth-making teams? So you've got other people. Explain to me these myth-making teams. Two humans, one tree nymph.

SPEAKER_06

And one of the two humans is a musician to provide accompaniment during the process?

SPEAKER_10

Like Max was doing.

SPEAKER_06

Exactly.

SPEAKER_10

To create empathy.

SPEAKER_08

Okay.

SPEAKER_10

By the way, good job, Max.

SPEAKER_05

Thank you, Mr. Mulfi.

SPEAKER_08

He and Debbie both helped us with the music. And then Diane supplied the teams with instruments. Really? Yeah, yeah.

SPEAKER_06

And then they helped teach all the teams how to play their instruments.

SPEAKER_10

Oh, they're a nice family, you can tell.

SPEAKER_08

They really are.

SPEAKER_10

Don't let it go to your head, Max.

SPEAKER_05

I I won't. I won't, Mr. Mulpe.

SPEAKER_10

Max, call me Tom.

SPEAKER_05

Uh oh, okay. Okay. Um, Tom?

SPEAKER_10

Okay, so this revolution includes some kind of magical thing called the process that includes a lot of music.

SPEAKER_06

Because music speaks to the soul.

SPEAKER_10

Yes, it most certainly does, Sam. It most certainly does. Okay, so you're gonna use music in the process that you're gonna use on the security forces.

SPEAKER_08

All the way to the end of the myth, where, if they don't comply, then with just one more high note from her.

SPEAKER_06

I turn them into clacking jaws! Shattering plastic teeth, actually.

SPEAKER_08

We didn't want to deal with actual human remains.

SPEAKER_06

See, plastic teeth were her idea. Tremble in fear, human!

SPEAKER_08

Okay, and then as long as the soldiers remain compliant, we march them back to the bubbles.

SPEAKER_06

Which no longer has your security system.

SPEAKER_08

Suicide drones, shrapnel charges, electrified death nets. Yep, all that. All that. Then we use your access to open the gates. Then Aglofinos and her nymph sisters all sing and draw out the bubble people and the remaining security forces.

SPEAKER_10

Oh, what do you do then? Just kill them all?

SPEAKER_06

No. We win them over.

SPEAKER_10

Heh. Oh Jesus, you're not kidding. Well, what are you gonna do then? Divide into breakout groups for discussion and sharing?

SPEAKER_06

Well, Tom, the way you put it makes it sound silly, but ideally, yes. Oh boy.

SPEAKER_07

My humans do have an irritating insistence on kindness and empathy.

SPEAKER_08

Hopefully, having subdued the security forces, brought down the security systems, and magically drawn the bubble people outside.

SPEAKER_06

We have an honest discussion about how we got here. How for decades we turned our backs on how a hotter world first impacts the most vulnerable, the least responsible for climate change, until, year after year, more and more of us got swept into those legions of displaced and dying.

SPEAKER_08

Until the only ones remaining untouched, the only ones turning their backs, the only ones still drilling and burning fossil fuels are the ones most responsible for how we even got here. That's right. The people of the bubbles.

SPEAKER_06

Who we intend to scare the hell out of because then, yes, we share stories about our lives, and then yes, discussion, questions, wherever a real dialogue might take us. Yes, all the silly things that just might make a real difference. Like music, beauty, fun, joy, things that might just engender real empathy.

SPEAKER_08

If you don't speak to people's better angels, you're never gonna find them, right?

SPEAKER_10

Well, I think you're nuts, but it usually takes a certain level of crazy to change the world for the better. And you seem like a fun bunch. I'm a firm believer that if you're gonna face death, you might as well have as much fun as possible, right? Exactly. But this is all predicated on the security forces either choosing between the revolution or becoming plastic chattering teeth, right? Yes. Bad news. Security forces have no choice over their own life or death. That's in the hands of their bosses. Little secret, not all that many people know about. When outsiders get hired for the security forces, they have to agree to have a small implant placed on their heart, an anti-pacemaker, if you will. And if there's ever any doubt amongst the bubble elites as to the We thought all the bubble people were elites.

SPEAKER_06

It's a term for the 50 wealthiest families. I only learned about it while you were gone.

SPEAKER_10

Right. A ruling class within the ruling class that enjoy absolute immunity for anything they do in their roles as the de facto rulers of the bubbles. Like I said, the elites wanted an anti-pacemaker. So I made them an anti-pacemaker. And now, if any member of the elites has any doubt as to the loyalty or dedication or total subservience of any particular security forces soldier, well, on any given day, on any kind of whim, with the simple push of a button on this little device that they wear around their necks, with one little point and push, they can trigger a 300 milliamp charge to that soldier's heart.

SPEAKER_08

What?

SPEAKER_10

Dead instantly. Let me tell you, the elites treat those security forces like slaves, boss them around, work them like dogs, make them do things.

SPEAKER_06

Unbelievable.

SPEAKER_10

Yeah. But historically speaking, you know, uh huge amounts of wealth combined with huge amounts of power usually lead to huge amounts of venality and perversion. And corruption. Historically speaking. So, what I'm telling you is that the security forces are a waste of time. If you march them up to the bubbles in hopes of proving a point, well, you know what? The bubble elites are just gonna prove their own point. They're gonna kill your captives. I think what you need is a hostage. The bubble elites will do anything to keep safe. I think what you need are the bubble elites themselves. Sure, but And in 60 days, you can have all of them delivered on a platter. All the evil bastards actually pulling the levers of power within the bubbles in 60 days. Real change.

SPEAKER_06

It seems like this isn't the first time you've thought about this.

SPEAKER_10

Seems like it. Keep talking. Look, in 60 days, there's gonna be a secret conference of the 50 bubble elites. These elites, they're gonna leave from separate exits of the bubbles to avoid attention from the other bubble people. Each elite will travel in their own autoglide, accompanied by their personal two-man security details, who will travel in a separate military vehicle just like the way I came here today. That secret conference is going to convene at an abandoned factory not too far from here. At that secret conference, the elites will discuss the ongoing construction progress of Off-World. An orbital luxury space station being constructed in secret by the elites, for the elites, and nobody else. Whoa, they're fucking over the other bubble people? Oh, it gets worse. The bubble elites ordered me to design an override that gives them total control over the bubble power grid. So if the bubble people left behind down here on Earth, if they get pissed off at the elites, if they ever rise up against the elites, if they ever threaten off-world supply chain, well, the elites, they're just gonna shut down the bubble power grid. Pow!

SPEAKER_08

Just like that. No air filtration, no clean water, no cooling. No security systems protecting them from the outside. Can we bring down your security systems? Let's bring down the power grid.

SPEAKER_10

Easy peasy.

SPEAKER_08

Sixty days.

SPEAKER_10

Yeah, and over the next 60 days, I can deliver enough auto-jacking mines to halt that whole scattered convoy of bubble elites in one fell swoop.

SPEAKER_09

Yeah.

SPEAKER_10

Some of your tree nymphs can sing the soldiers off and away.

SPEAKER_08

Then we run the process on the elites, put the billionaires into the role of Erasicthon.

SPEAKER_07

Poetic Justice. And turn them all into clacking jaws!

SPEAKER_08

Nope. At least not the ones who join us.

SPEAKER_07

I hope that's all of them. I hope that's some of them.

SPEAKER_10

I would suggest grabbing those implant detonator buttons they all have and use them when you When we march the elites back to the bubbles! Yes!

SPEAKER_08

Security forces are gonna be much less likely to shoot you if you have those. So, we march to the bubbles, bring down the security system and the grid, show the security forces on the wall that we have the anti-pacemaker buttons, sirensong them and the bubble people all outside.

SPEAKER_06

Where we share our stories.

SPEAKER_10

Engender a little empathy there, Sam, and who knows? This revolution might just succeed.

SPEAKER_06

I am feeling a little uneasy about utilizing the threat of the anti-pacemaker devices. It's like holding a gun.

SPEAKER_08

Soldiers on the wall will be holding guns, Sam. And sometimes a bully has to know you can throw a punch. I don't know. Maybe we can turn the threat into an invitation to something better. And I think I know how we can do that. Trust me. Okay.

SPEAKER_10

Perfect. Can't wait to help you achieve all your goals, which hopefully includes you not getting killed. So now that I have been so unbelievably fucking cooperative.

SPEAKER_07

You really have been.

SPEAKER_10

Now you give me what I want.

SPEAKER_07

Evil King, you do not make demands.

SPEAKER_10

What do you want? Which of you two is playing music for your myth making team?

SPEAKER_07

I am. She's not very good.

SPEAKER_05

Sam is a beginner who is trying very hard.

SPEAKER_07

Not hard enough. Haki, I've been busy.

SPEAKER_10

Totally understandable there, Sam. I mean, organizing revolutions to overthrow oppressive power structures must be very demanding time-wise.

SPEAKER_06

It has been.

SPEAKER_08

And you've done an amazing job while I was gone.

SPEAKER_06

But now you're back. And we were gonna write your songs.

SPEAKER_08

It's okay, Sam. I don't need to sing.

SPEAKER_06

But you were looking forward to it.

SPEAKER_08

So maybe I can help.

SPEAKER_10

Because what I want is this. I want to be the guitarist for your mythmaking team. That's it? I'll come out here every day over the next 60 days. And if you let me, I would love the opportunity to to write with you all the songs you need. Now don't worry, be because believe it or not, I used to be a pretty good songwriter. Maybe I still am, uh I don't tell people about this very often, but when I was younger, a lot younger, I had a major label record deal. Really? Yeah. Back when they still had those things, I have one of those and it didn't work out. So I went back to school, got my master's degree, went to work for my dad's company just like he wanted. But that's the past. Right? And this is now. So Aglofonos. If you don't mind me asking, did you write the song you sang during the process you all ran on me? What what was it called?

SPEAKER_07

Why?

SPEAKER_05

She calls it Metra's mother.

SPEAKER_10

Metra's mother.

SPEAKER_07

Evil King, if you dare to so arrogantly suggest changing any of my songs, my lyrics, my melodies, I will smite you down so fast it's.

SPEAKER_10

It was perfect.

SPEAKER_07

What?

SPEAKER_10

The lyrics, the melody, your performance. Absolutely perfect. I wouldn't change a thing.

SPEAKER_07

You may continue.

SPEAKER_10

Okay. So, so Max, the other myth making teams, what they're all like playing acoustic guitars, right?

SPEAKER_05

Right, because of the limited power on the outside.

SPEAKER_10

Figured. But for this myth-making team, for this amazing singer, I wanna do something really special.

SPEAKER_07

Special sounds good.

SPEAKER_10

Using the amazing guitar rig Max has put together for me, over the next 60 days, I'm gonna come out here every day and and work with Max to create the music and and soundscapes that this rig is capable of. I'm gonna get this place outfitted with with solar panels and wall batteries so that he and I can work every day for as long as we need to. And with each visit. Yeah, with each visit, I'm gonna sneak out a few more of those auto-jacking mines you're gonna need to pull this off. Smart. I wanna circle back for a moment. Why should we trust you? Legitimate concern. Well, after I designed the kill switch to the bubble power grid, the bubble elites decided they wanted an insurance policy for their insurance policy. So they drugged me and had doctors perform surgery on me to put one of my very own anti-pacemakers on my very own fucking heart.

SPEAKER_06

They did that to you?

SPEAKER_10

But you know what? Turns out they didn't even have to. Surgeon who cut me open saw all these fibrils growing on my heart. Turns out they're inside my heart, too. Turns out I have a very rare type of cardiac amyloidosis. It's very hard to pronounce and even harder to cure. It's basically incurable. So by the time Off-World is operational in five years, I'm gonna be a non-issue. So, a gluffinose, whatever you are.

SPEAKER_07

A tree nymph.

SPEAKER_10

Whatever that is. Look, little green lady, all I know is you've got an amazing set of pipes. So, in the time I have left, please allow me the incredible privilege of getting to play guitar with the greatest singer I have ever heard.

SPEAKER_07

Human. I will allow you to be my lutinist.

SPEAKER_10

You can call me Tom.

SPEAKER_07

No.

SPEAKER_10

Okay. So it seems like the little green lady is kind of on board. What about you two?

SPEAKER_06

I'm agreeable. Corey, what do you think?

SPEAKER_08

Well, if we say yes, it's a roll of the dice. He might be lying. And if he's telling the truth, the risk will be right. Okay. Tom Mopy. You can just call me Tom. Tom. I think you're a risk worth taking. Sixty days. Let the countdown begin. Let the music begin.

SPEAKER_07

I have found my lutinous mentor.

SPEAKER_01

A climate revolution with songs.

SPEAKER_10

Starting by Jim, Mr. Commercial and Freddy. Yeah. Episode four features the superb vocal talents of Gordon McCullough as the security detail soldier. Christian Fawn is Diane. Luke Wingarden is Max. And Tom Mopy as Tom Mopey. And a shout out to our stellar ensemble of Jonathan Gregg, William Peaton, and Walker Schneckenberger. Dialogue directed by Emily Hartford. Singing sessions directed by Tom Mulby. Songs written by Aglofonos, Corey. Sam and yours truly, Tom Mopey. Music and vocal arrangements, as well as sound editing and sound design by Tom Mulpe. All audio produced and recorded and mixed by Tom Mulpee at Mythmakers Media Studios. Principal casting by McCorkoCasting. Additional casting by Mythmakers Media. Public relations and media outreach by Tink Media. Visit our website, Metrothemusical.com for a detailed list of credits and thanks. Follow us on Instagram and Blue Sky at Metra the Musical All One Word. Metra, a climate revolution with songs, is a production of Mythmakers Media. Copyright Ned and Emily Hartford, all rights reserved. Remember. Change the myth. Change the world. You great A Plus, wondrous, motherfucking fabulous climate revolutionaries. That's a reference from one of the later episodes, so when you get there, you're gonna be like, oh yeah, I recognize that. Like a little Easter egg.